Already there’s a stirring in the stillness, as things dormant for months begin to make themselves known again. The planet shifts its weight, reaching for the light, for the all too familiar warmth, long absent from this hemisphere. Each passing day seems to sweep what’s left of the thinning shadows off into the shimmering expanse of morning sun spilling over the horizon. These are the days that make one believe promises made about an everlasting day – the promise that all things can be made new. This is the enchantment of spring.
The whole point of a good enchantment is that it allows you to suspend, if only briefly, your normal expectations, your usual way of knowing things – so that a deeper magic of knowing might emerge. So that you might imagine yourself standing in a field of Easter lilies spreading out like a sea of supple white flags waving as if floating on a gentle sun lit breeze.
Then out of the soft rise and fall of this swaying meadow, comes the rousing applause of angelic celebration, like an ancient melody sung by nascent voices. And as you are being swept up in the elation that has overtaken this pastoral setting – you begin to wonder what wonderful thing has occurred that could cause such a music? And then you turn and stare in disbelief — it is the great eucatastrophe of the crucifixion and the empty tomb . . . and you are undone by the sheer weight and wonder of it.
The Passion of Christ is like a winter’s menacingly dark sky looming over God himself, hanging on a cross . . . a darkness cracked wide open by the Resurrection, which moves with the force of a spring morning exponentially multiplying the life of everything it touches. Where death is broken by the power of love, tears give way to joy, and fear is chased back into the shadows of disbelief.
The relentless beauty of all of this goes far beyond a theological knowing of salvation. Rather, we find it in far more visceral ways of encountering these profound truths, ways that lift right off the pages and penetrate the soul, ways that alter the way we see everything else . . . like spring. So as I step out on a clear spring day, I feel as if the promise of new life is more than a theological contractual clause – rather, it is as certain as spring following winter.
We don’t live our lives in our heads, we live them in the dimension of lived out experience. So the rich significance of the gospel narrative isn’t merely a cognitive switch we throw about an intellectual proposition – rather, it is a narrative that captivates us at the core of our being. There exists a hint of God’s redemptive work vibrating with new life hidden in the details of everything we experience – waiting for us to tune into that frequency . . . as we take a walk on a spring day.
Not sure, what it is about this old hymn – but I have always associated it with the emergence of Spring in the way it seems to call for all of creation to celebrate God.